Cultural appropriation of 23 by miley cyrus

Influences from other cultures are not new to art. A video attacking the designers observes, вЂYou might think they have some personal connection to the cultures which they have profited from but they are just as white as their $150 t-shirts.вЂ™Д¬ultural appropriation is sometimes attired as cultural exchange or appreciation and celebration of another culture, but the dark underbelly of cultural appropriation lies in the colonial tendency of mainstream western culture to dominate and patronise, and worst of all lend a voice to, and pretend to, represent a minority/non-mainstream culture. The exhibit has raised questions about whether PAMвЂ™s designers have the right to use symbols from cultures with which they have no personal connection. In the photo cut-outs the women are either gesticulating with their hands and arms or awkwardly balanced with one leg raised while their hands are folded in a namaste. The work, Black Gold, has wooden cut-outs of a women dressed in what seem to be African-inspired or Iindigenous garments replete with similarly-inspired eye makeup, headgear and jewellery. Melbourne-based fashion label Perks and Mini (PAM) has attracted criticism for its exhibits at the Melbourne Now exhibition at the National Gallery Victoria (NGV).

We see a lot of it in the music industry with artists picking out elements from different cultures and mashing them together: Selena GomezвЂ™s bindi, Miley CyrusвЂ™s twerk or Katy PerryвЂ™s geisha-style look for the AMAs.Д«ut when artists engage with cultures outside their own, the appropriation can be offensive and damaging. But between the good and the great, cultural appropriation is a messy business. вЂGood artists copy great artists steal,вЂ™ Picasso famously said.

Cultural appropriation of 23 by miley cyrus